Photography by James Mollison for WSJ Magazine
Born in Milan in 1922 to a distinguished family, Gabriella Crespi was a force who blended a sleek futuristic aesthetic with her profound sentiment for nature. Crespi made beautifully crafted objects and furniture with her skilled craftsmen, with whom she developed long and deep relationships. She was not an industrial designer; her production was limited, handcrafted, and niche. Crespi's style epitomized the cosmopolitan chic of the 1970's blending an effortless bohemian style with sophisticated baroque tendencies. Her work methods hark back to those of renaissance workshops fusing craftsmanship with a distinctive artistic approach. Crespi was the ultimate style icon with natural elegance. She did not follow fashion and instead favored a polished simplicity. 


Photo: Oliviero Toscani / Courtesy of ©Gabriella Crespi Archive

Photography by James Mollison for WSJ Magazine

Gabriella Crespi's need for artistic expression ran deep. Her mother was a haute couture jewelry designer, and her father was a mechanical engineer. So Crespi was the perfect blend, mixing the creative with the technical. Crespi began by studying art at the Brera Academy of Fine Arts and then enrolled at the Faculty of Architecture at Milan's Politecnico Institute. It was very unconventional for women in the 1940's to choose a career in architecture; in fact, it was unusual for a woman to choose any career at all. On finishing school and starting her career, Crespi said:

"At that time, I needed all my courage to start. But challenges never discouraged me. My desire to go on was stronger than my fear of failing."

Gabriella Crespi's 1973 Puzzle Table - Francesca Morigi


Rising Sun Table and Chairs

 Crespi was not afraid of contrast, and her style is proof. Her designs had hints of mid-century modern and art nouveau without falling into either category. She mixed sleek contemporary mixed metals with softer natural materials like bamboo. Her work fully stands apart from any other designer at the time. However, you can see hints of influence from Pierre Cardin's futuristic style and Les Lalanne's surrealist gilded creations. Crespi always admired Le Corbusier and Frank Loyd Wright, probably because they considered nature fundamental to their projects. 

Photography by James Mollison for WSJ Magazine

"My Inspiration is the Universe"

Nature and spirituality were always fundamental for Crespi. At 65, Gabriella Crespi decided to stop production, shutter her business and move to India, where she lived for 20 years. Her career was at its all-time high, but the pull to spiritual life was too strong for Crespi to ignore. Her daughter Elisabetta claims that "the quest for a deeper meaning for existing and her belief of belonging to a wider universal energy were reclaiming her."


Photo: Robert Emmett Bright / Courtesy of ©Gabriella Crespi Archive Yang Yin Desk, 1979

At 85, Crespi had a fall that rendered her unable to travel to India. She returned to Italy and resumed her artistic practice working on a series of limited reeditions of her most famous creations, experimenting with different materials. Crespi passed away at the age of 95 in 2017. Her limited edition designs are highly sought after by dealers and designers. Her long career was successful with many famous and distinguished clients such as Audrey Hepburn, Hubert De Givenchy, Gianni Versace, and the Shah of Iran. Her timeless designs are still regarded as the epitome of sophistication and style. 

 Photography by James Mollison for WSJ Magazine